Predictions: The Long-Term Dollhouse Story Arc
Posted: April 10th, 2009 | Author: miconian | Filed under: TV | Tags: Buffy, Childhood's End, Clarke, Dollhouse, Duncan Idaho, Dune, Kubrick, Matrix, starchild, They Live | 3 Comments »![]()
Dollhouse‘s “anybody could be a doll” motif reached a new level this week with the suggestion that Adelle Dewitt, mistress of the institution that imprints hot young things with alternate personalities, may be a doll herself. What does it all mean? If the show lasts long enough, how far could the solipsism possibly go? Here are some options.
- Everyone – or almost everyone – is a doll. The doctor, Topher, the handlers, etc. After all, the house is just one arm of a huge organization. Why wouldn’t the parent organization put dolls in charge of the Dollhouses, to make sure that they run correctly?
- The dolls, much like the slayers at the end of Buffy Season Seven, will all suddenly become fully integrated super-beings, remembering all their pasts, retaining all their accumulated skills. In this sense, they’ll be like Duncan Idaho in the novel God Emperor Of Dune. Speaking of the Dune series, the Bene Gesserit pass along memories from one woman to another, building an accumulated consciousness; it looks like this is going to play out explicitly in next week’s Dollhouse. All such stories are metaphors for the duality between individual death and racial immortality, etc.
- The Dollhouse is ultimately controlled by a sinister entity who is trying to control the world. This could be a part of some classically evil plot to gain political power, or an alien force trying to control humanity, or something more subtle and believable, like a network of banks trying to stabilize the economy.
- Everybody is already a doll, and has been for a long time. A sort of Matrix/They Live scenario, in which we realize that the alien/evil-force takeover has already happened. Life is a joke, the rules of society have no meaning, and there’s no such thing as free will.
- In a similar scenario, more the Childhood’s End angle, humanity has mostly become the soulless tool of some sinister power, but a secret underground is working to change things. So, even within the Dollhouse, Echo and others are being encouraged to assimilate their personalities and go beyond their original programming, to reach some greater purpose, and become the saviors of humanity, etc. A bit like Kubrick’s starchild in that regard.
Other thoughts? I’m probably not getting it exactly right, but I’ll be surprised if the actual plan isn’t similar to one of the options above.
image by jurvetson
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